Who owns African writers?

I hate intrigues and I hate cartels.

I will start with the intrigues. I hear there is a foolish girl making another writer’s progress difficult because she suspects or is sure the other writer is Obsessive Ed. Foolish girl, the target of your malice is not Obsessive Ed. Neither is anyone else that people think is Ed. Those who tell you they are Ed are not Ed. Ed is an intangible human being. You cannot touch him, you will never see him and you will never know who he is. Please stop hurting  extremely talented people thinking you are punishing Ed. You will go to hell for sabotaging God’s talented people. And speaking of intangible humans, who remembers when Smitta Smitten was anonymous and everyone loved him until he got drunk on the mad love and made the idiotic folly of showing us his face and true character? Now who can stop him from looking at himself and glowing from his own light?

But forget him. Let’s talk about literary cartels. It is known that some people have appointed themselves gatekeepers of African literature and they subsequently decide which writers will get exposure, publishing deals, fellowships, MFAs, and literary prizes and who will be recycled on the shortlists of said prizes. I can imagine them having video conferences and exchanging lengthy emails about who is in and out of favour. Ticking off names on a checklist as they sip Chinese green tea. Putting their impish hands on fates that they have no business touching. Destroying Africa’s literary history with decisions based on who slighted them and who didn’t? They have turned into filthy politicians.

To get on the checklist, writers  have to decide whether to kiss asses or kick them. If you kiss asses you get rosy farts as rewards. They smell like rose-scented Dollars and Euros. There are no African currency farts. If you kick asses you are locked out of fart nirvana and they pour mountains of shit on your head. You will stink and no one that matters to the cartel kingpins will touch you even if you write the best stories they ever read.

It has now become that the only way a writer can get ahead, with or without talent, is by singing praise to certain lords that went ahead of them and got validation from Western establishments. Some will tell you that the only way to succeed is by getting on a plane and writing for money and bland food from somewhere else for x period of years under the guiding farts of the lords. There is no self-respect. There is no acknowledgement of the talent you were born with. It’s only five questions that matter: Who do I know that has x and y influence? Am I willing to blindly support any stupid bullshit they say or do? What next fanatic thing can I say that will make them like me enough to allow me to sit with them at a dinner table that Elnathan John & Co. are not invited to? And these questions make you realise that there is grand corruption of the grandest order and some twisted form of bribery in African literary circles. Those who care about being circus animals trotting the globe are happy participants and they sell their souls for scraps.

The rest who don’t give a fuck about the near mythological big names have decided to make do with what they have at home. They publish books at home and sell here. The Magunga bookstore has created a genius platform for them to do it. The bookstore seems to be a success which means that writers can actually earn something without being prostitutes. They just need to sit down and produce material as opposed to wasting time kissing ass and gambling with their dignity and talent. It is possible to make it without the lords.

New online literary journals are popping up and writers from all over Africa are submitting, in solidarity and also for the sake of submitting because there are serial submitters. Writers we have never heard of before are getting faithful readers. There may not be any monetray benefits yet but who said writers are businessmen and public relations practitioners. For the best of them, their egos are placated by the assurance that someone is reading and enjoying their work. They can write whatever they want. No one is moderating, controlling and supervising their work. No money or ass-licking on this earth can beat the satisfaction of having people to write for. People who are eager to read your work week after week after week on repeat.

In this day and age, writers can do anything they bloody well want if they have talent.  Endorsed exposure, publishing deals, speaking engagements, fellowships, MFAs and literary prizes do not make a writer. Writing makes a writer. Readers make a writer. Not cartels of bloated motherfuckers who are not even writing anymore.

The writer, African or fuck what, should be owned by readers. Readers are the ones who read. Readers are the ones who buy. Write for readers. Prostitute for readers. Walk the streets for readers. Readers have all the money you may need. Dance naked for your readers if you must but never sell your soul to an old goat. If you fail in this you will die before your own people know that you were an African writer. And please write from the motherland; Africa has not chased its writers away. On the contrary, someone is stealing Africa’s writers.

Who fucking owns you motherfuckers?

Me… (Just joking)

Fuck cartels… (Not joking)

Tchuβ!

Just five Kenyan blogs…second time of looking

In 2012 I named my favorite blogs of the time. If you missed the list here it is link . My only regret about those five blogs is that three years later Ian Arunga has lost his sense of humor.

Today, these are my top five Kenyan blogs.

  • Kenyan Homo

Address: https://kenyanhomo.wordpress.com/

We treat homosexuals very badly. Even when we are pretending to be their friends we make them feel awkward with our stupid questions and comments and apologise only when the damage is visible on their faces, as they laugh off our offensiveness. We never see them as human beings but as curiosities. Like animals in a free and open zoo. I hope this blog makes you see another human being, who faces the same difficulties you do and is trying to live a good and fulfilled life just like you.

  • Savvy Kenya in Japan

Address: http://savvykenya.com/category/japan/

She went to Japan and I feel like I went with her because of how she writes about the country.

Very few bloggers educate you about anything. I think someone else would have used this opportunity to only take photos and not write anything because they assume that a picture will tell you everything you need to know. It won’t. It will only make the rest of us jealous and envy is quite useless out here.

Stories take us where you are and we really appreciate that experience. Thank you Savvy Kenya for not leaving us behind. And I think this is the only time I have been nice to anyone on my blog. Consider yourself special and good luck to you and Jeremy.

  • Miss Awuor

Address: http://missawuor.tumblr.com/

I love and hate this one. Sometimes I cry with her and sometimes I want to find her and really tell her off. Her writing wakes all kinds of emotions and that is a good thing. Though I wish her identity was more obvious here but then again…she seems like a beautifully complex woman. So I will let her be and keep my mild expletives to myself until such a time when I won’t care so much for her words but more about her view of life from what I see as too much privilege and time to waste. I speak as a repeatedly failed hustler. Please hold it against me.

  • Otoyo

Address: http://troyonyango.com/

I would rather this guy just wrote fiction. All those other things don’t work at all for Otoyo. Everyone wants to be a lifestyle blogger and at the same time keep the creative writing going. You can’t serve two masters. Money or the idea that you will attract it by writing all other rubbish is okay for some sellouts. However, we need good storytelling on the internet as well. A blog that only has one tab won’t make you a loser. You will win where it matters.

Please read Otoyo’s fiction and ignore everything else there. The rest is crap and the poetry tab is a lie because there is not a single poem there. Fuck Otoyo for lying.

  • Lucia Musau

Address: http://luciamusau.com/#sthash.VDtyey7j.dpbs

This one is a fashion blog. The owner calls it her journal, which I took to mean that she is not a self-appointed expert.

She also has a body that makes clothes look good. Don’t get me started on how I think that not everyone should model on their blogs. I shall deal with that on the day I will have collected enough fat and bile to spit out.

Lucia is hot.

Tchuβ

Where are the immigrant stories?

Immigrant and expatriate are two words with separate definitions that should mean the same thing. For my purposes, we will call all of them immigrants because that is what they are truthfully.

Two things came to my mind when the Imperial Bank fiasco came out of its closet. First, if you insist on being true Kenyans, why was all your money in that one ‘Indian’ bank? Why did you put all your eggs in one basket? Why didn’t you keep some of the golden eggs in Equity, Co-op or KCB like true Kenyans?

Second thing that came to my mind was who the hell are these people? Where are their stories? Where are their writers? What the fuck are they hiding from us?

I am not talking about the white guys. I think we have had and heard enough of the Serengeti I Love A Maasai Man And Elephants story. We don’t want any literature from them anymore. You guys stop writing that bullshit. We get the message. You are superior. You have good money. You like big black long dicks. You love our animals more than we do, and we are not jealous. Hakuna Matata. Thank you.

The Indians, the Arabs, the Chinese, the…the…the South Sudanese, the Somalis, the…the…the Nigerians… Where are your novels, short fiction, essays, poems and blogs about your life as permanent Kenyans, so to speak.

Is it possible that you left all the good writers where you came from? Is it that there is nothing about your life here worth writing home about? Did we do something that makes you not want to tell us your stories? Is the air too thick for your brains to breathe and create? Or is it all here as it was there?

Don’t you get angry at the system? Don’t you feel the need to say how the indigenous people misunderstand you? Don’t you see that we are desperate for a peek into your lives? Do you guys defecate like the rest of us, through the A-Hole?

Because without your stories we are only left with the stereotypes and assumptions that you are also largely to blame for creating.

i.e.

  • Indians are stingy, abuse the help and cast spells on the money they pay you so that by the time you get home you have nothing in your pocket.
  • Arabs are Swahilis and Swahilis are Arabs and they do very strange things to virgins, with chilli powder.
  • Chinese wear face masks to the supermarket because they still think we are monkeys with Ebola or Aids.
  • South Sudanese get free UN money and buy luminous clothes…and keep dirty compounds.
  • Somalis…well I won’t even go there because it breaks my heart.
  • Nigerians…drugs, noise, Simmers, Jesus Christ and death.

Junot Diaz in Immigrants, Masculinity, Nerds & Art says something about using local phenomena to access larger things. Which makes you wonder if the immigrants in Kenya are so afraid of local phenomena that they lock themselves in. They do not experience life here fully so they have nothing to say about it. How come the same thing does not happen with immigrants in other countries outside Africa? What is so suffocating in here that people from elsewhere can’t find inspiration to create a lot of literature?

What is the fucking problem people?

If we do not know who you truly are, you will never know who we truly are. The result is nobody will give a fuck when things go to shit for you. Because you are not truly Kenyan and we are not one.

Tell your stories.

Tchuβ

 

 

Cowards with fancy tricks, not writers

Life is tough. But we still live it in different ways. Many of us do it in denial. The few brave ones fight back with everything including their teeth.

I have read Mosquito Republic by Joseph Eluzai twice. The first time I was angry. Angry because he had the audacity (and skill) to make me feel exactly how Doctor Mogga must have felt right before he was killed – victory and loss. And I was sickened by how the general and the major just went on with their lives as if they had slapped a mosquito to a wall and stopped its annoying, incessant, debilitating nyiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii. Then I remembered Mabior and Akoro and I turned red. Eluzai did not give me a resolution with those two. Life sucked.

The second time I read Eluzai’s story. I was happy. Happy that there is a writer in big Africa who is not a bloody circus king. There is a writer who sees what is happening to his people and is not afraid to make it stop. He is not too cool to let the world know what South Sudan has become. He did not sit in a coffee house all day with free wi-fi and refuse to be held accountable. He did not feel policed when someone suggested that it is his responsibility as a writer to face the politics of his country. Eluzai did not say that the killing and the looting are not his reality.

Africa does have a single story. Yes. A story with the same characters. Corruption, death, dictatorship, greed; and we never know who will get it worse than the other.  We are tired of this story, understandably, and are now determined to write clever little sentences and stories that tell nothing except that we have been reading a lot of processed fiction from other parts of the world that have learned how to control their horrors. Stuff that is making us write numb, meaningless shit that our people will never ever relate to. Our people do not care about beautiful prose. They do not care about your nonsense awards. They do not care about how much alcohol and weed you need to reach your useless epiphanies that result in a story about how you fucked a pink unicorn in Jupiter. What breed of poppycock is that? How is it supposed to inspire change? How is it helping people think about their stupidity and hopefully end it.

Okay, maybe you are afraid of disappearing without a trace, going to exile or being thrown in jail. You don’t want consequences. You want safe options. So you spend a whole day on Facebook and Twitter pounding your fists at nothing and feeling  like a revolutionary because 100 people have retweeted you and 300 have commented on your post. And as you have these rainbow bunny feelings, at that moment, someone is stealing Sh100 million from your people. Another one has ordered the death of 100 more. 300 people are fleeing their homes. Another 300 are facing death with nothing but their bare hands. Real life. Things that you do not want to imagine yet a writer is born to do that; imagine anything possible and tell it honestly enough to make or break.

To be clear, because I see what you are all doing being modern and ‘authentically’ plastic fantastic, being an African writer is not;

  • Wearing shaggy hair.
  • Wearing African print that is made in China.
  • Not taking baths and having stinking casual sex because your dicks and pussies found feeling.
  • Writing stupid stories about nothing in particular and saying your art is open to interpretation. Fuck you.
  • Going to sit in a hall in London for white people to see how African you are.
  • Living outside and looking in with concern.

If you cannot face the gun, please drop the fucking pen.

Tchuβ

 

 

 

 

 

We’ll just cast the Africa 39 into the sea?

For a year now we have had six enormous whales polluting our air and we have said and done nothing about them, or to them.

When the Africa 39 list came out last year six Kenyans were on it and most of us were livid and jealous. Our defence mechanism was to get on with our unlisted lives like nothing noteworthy had happened. We had seen the call out but rubbished it because the email asking for submissions was a gmail account. Then when the list came out we were stunned by the other names on it, so much that we (with a lot of unwarranted bile and imaginary bad blood) chose to ignore our “buddies and mentors” who had made it.

So…general reactions.

Mehu Gohil – Indian. Who told him and them that he is African?

Linda Musita – Mother of bitches.

Okwiri Oduor – What is it with that twang? (Is it still there, the twang? And did she already tell the government of the Republic of Kenya and her parents that she does not like being called Claudette?)

Stanley Gazemba – Who the fuck is that?

Ndinda Kioko – Who?

Clifton Gachagua – Isn’t he the poet who writes incomprehensible shit?

They went to Nigeria and came back. No one asked them what happened there.

Critics say something, please. “No, we’d rather not molest these ones. We don’t even know where to find their work.”

Local bloggers who like to eat corporate cardboard and talk about literature to look cool have not even sniffed these bloody Africa 39 lepers. Disgusting.

The anthology is being sold at Text Book Centre. It’s too expensive. We’ll buy Harper Lee instead.

They have a blog. Where?

And that blog is a total mess by the way. A year later and the person running it has only published interviews, upon interviews, upon interviews… it’s like these people don’t have more fiction that can be put on the blog. Can’t they be commissioned to write essays? Can they be asked to take pictures of the mundane shit they do because essentially they are fucking celebrities (literally celebrities and literally having sex with celebrities)? Can’t the blog have guest posts from random or acclaimed people who like or dislike the whole lot? Where is the colour? Where is the noise? Was this a day’s list of noisemakers in a class that will be forgotten as soon as the usual suspects are named and identified?

As I realise that I may have lost my zing and I am utterly bored by what I am writing in this post, I will summarise what it is I think I intended to say.

  1. Africa 39ers, what on earth are you doing in November 2015? Have you done anything that shows you deserved to be on that epic list? Must we seek you out you handpicked grapes from the vineyards of glorious demigods?
  2. The Kenyan literary heavyweights and amateurs are moving along like this did not happen. Like six talented writers with very different styles, very different themes, very different what-the-fuckness, and very different personalities do not exist. Will they treat you with the same disdain when they finally make it and you are panting, sweating and losing your knickers for even a minute of their time?
  3. Why are the people who came up with this list not bothered by their children’s fate? It’s like giving birth and leaving the kid at the hospital. What the fuck does this child know?

Three entities to be held responsible for the fate of the 39ers.

I am just worried that they will slip through our fingers into oblivion. I can’t sleep soundly.

Tchuβ

 

 

 

 

Binyavanga just had to do the cartwheels

I will not take much of your time.

This will be very brief.

Binyavanga Wainaina for all intents and purpose is a good writer that we respect. Most of us, at least.

I know he is not stupid. He most likely thinks through everything he says and does, including coming out of the closet.

Therefore he probably knew that he was going to cement all the stereotypes about gay men. What with the colour, flailing hands and talking very loudly at my television screen? I am certain every average, maybe bigoted Kenyan, who has watched Binyavanga’s interviews on television feels affronted by the gay community, and will not even try to be tolerant or accepting of them. If anything he has made gay people look rather shallow and ‘in your face’. When in real sense they are very good at minding their own business and letting those who want to judge them send themselves to hell.

Secondly, he is fighting discrimination by discriminating other people. Assuming his message is everyone has the freedom and choice to be who they are or who they want to be, he should not be bashing religious people. They are entitled to their faith and way of thinking. The same way he is to his sexuality. If someone does not support your cause or agree with you, it does not mean he or she is ignorant. What we should all agree on is the fact that we can agree to disagree without forcing our penises down each others’ throats. And we can all mind our own business without shouting at people…this goes for televangelists and Binyavanga.

I also wonder if gay men chose Binyavanga to be their Jesus and if they did, what do they think about him politicising their sexuality? Maybe he should go shout in Nigeria, if he really means well.

PS: Do not bash me for my honest opinion. Peace.

Maya Angelou said: “The poetry you read has been written for you, each of you – black, white, Hispanic, man, woman, gay, straight.”

Tchuβ

Start a Library with people who bloody read

Sometimes I think the Kenyan literary scene will drive me nuts.

Irrational things just pop out of every hole I thought I had covered.

Everyone is so keen on fitting in and being mediocre that they cannot see obvious poppycock.

How and when did it become a fucking Eureka! moment for Storymoja to have “radio personalities” (the ambiguity of those two words needs an entire blog post to discuss) , politicians and musicians as reading ambassadors.

The Start a Library project is a brilliant endeavour that I assume is meant to encourage children to read.

I  therefore also “assume” that it would be a very good idea to have people who actually read and love books around the children Storymoja is giving books.

We are not short of authors, poets, book bloggers, book reviewers, book vendors, and avid readers who would be very happy to go to schools, read with the children, and “install” the libraries.

Why must a publishing house rely on cheap, irrelevant publicity stunts to get children to read books?

There is no sense in telling children how reading is “fun” and “cool” when you do not read at least one book a week, or what you do for a living has nothing at all to do with books.

A child will lose interest in reading immediately they watch your music video on television or watch you swapping insults with another politician in the 7 o’ clock news bulletin.

Fuck, if I was a kid I would struggle trying to bloody understand a person giving me a book and later going to speak some very skewed English on radio; a person reading a book with me and going on television to talk about a constitution he or she has not read, or has read selectively; and a person telling me that reading is good for me when all he or she reads are lyrics and the Pulse.

God forbid if that child actually wants to be a writer when he grows up.

There is something about Kenyans and wanting to tag and pull celebrities into everything. The supposed genius behind this is a “celebrity” will help draw attention to whatever it is you are selling. It works for certain things. Books, however, can carry themselves very well with the help of someone who knows them.

I love books and I wish children would read more and watch television less. And if I had a child who I thought needs to read avidly, I would not pick an illusionist to teach my child the importance of reading. My good intention will disappear into thin air.

These libraries will be started, they have been started, but I can guarantee that none of those children will develop an eternal love for books from those specific libraries.

I am also sure that the kind of books that are being put in these library “installations” do nothing for the curiosity and imagination that children are supposed to have.

I honestly think those children deserve a better presentation of bullshit…if they must really get that bullshit.

Tchuβ

All writers should be scared shitless of Alex Ikawah

Alex Ikawah sent me a very modest direct message on twitter on August 16th last year.

He told me to be as ruthless and honest as I wish.

I, of course, assumed that the story was the usual poop I get from touchy-feely bad writers.

Well, this one story did knock my socks off.

Afropolis: Child of Prophecy

The moon was rising above the skyscrapers of Afropolis, dark and gloomy. It was difficult to make it out in the night sky, only the edges gleamed a shimmering blue; the effect of a million ZEOS solar panels playing tricks with the sunlight. I’d jacked mem-bits from the 21st century that showed the moon the way it used to be when it still reflected sunlight; before the solar farms. It was fucking beautiful. And this dump of a city now called Afropolis, well it was still a dump back then but it had some space; it had real air and lots of natural light. And people, normal citizens, were allowed to walk at ground level. Staring at the cityscape that stretched before me I wondered if this is what they dreamed of back then. This city of half a billion stragglers, most living in one-person cabins packed in 3000ft skyscrapers interconnected by horizontal elevators and skyways. I stepped back from the window and flicked the blind switch, watching the chromatic glass slowly blot out the city. There was half a bottle left of my weekly water ration and I downed it all, thirsty at the thought of going out. 

Night was the best time to visit Quadrant 7 if you were looking for mem-bits from the 21st. Old men too poor to afford to make money any other way, sold priceless memories for as little as 100 EA$. They sold to me cheaply because I bought memories nobody else wanted. Love, pain, laughter, and happiness, but mostly I bought history. I paid extra for memories of childhood in the late 21st; before the water and energy rations, even before ZEOS itself. I had a modest website where I uploaded them for free, and it was getting quite well known. I wasn’t the only one looking for the feelings we had lost. The vicious gangs that ran the quadrant did it differently though. They almost exclusively bought sexual memories, and then violence, thrills, and intoxication in that order. And if you owed them for food or a place to sleep as most of the old men did, they paid you nothing. They preferred to rip them for quality, erasing the memory from its donor’s mind completely. Gaps in the mind drove you crazy after a while, and the quadrant streets were full of people who had sold too much, wandering the streets trying to relearn things they had known all their lives.

 

The bunk I was sitting on now folded into a panel in the wall exposing a console underneath with connection ports for a communicator and one more electronic. I turned off the light and grabbed my mem-jack and an old jacket then left the cabin. It was cold in the corridor; most of the other residents had already gone to sleep. The AC automatically lowered building temperatures to 20 degrees after eleven to save on power. I’d have much preferred an electric jacket but there were things you didn’t wear in Q7 if you valued your life, like clothes that cost more than 500 EA$. 

 

I entered the lift at the end of the corridor and went down to the 20th floor where the building’s nearest skyway station was located. There was a checkpoint at the exit and a guard from building security was sitting behind a glass panel next to it, his head lowered in a state of half sleep. I buzzed him lightly and put my pass against the glass. He didn’t bother to look, or wake fully for that matter, simply pressing a button on his counter. The exit slid open in response and I walked out into the station. A digital counter on the wall showed the time until the next tram arrived. They were less frequent after midnight and I’d have to wait almost seven minutes for the next one passing by this station.

 

I walked right up to the glass, staring out at the dense network of rails and building stations that made up the skyway network. Trams were buzzing about; their lights creating mesmerizing trails that ended and started every time they entered then left a station. In the vista that stretched out as far as my eye could see, there was not a single person in sight. It seemed like the city belonged to the trams, a city of shiny electric worms that flitted on the skyways from building to building fulfilling some all consuming mysterious bidding. A robot city. Times like these made me want to curl up in my room with a mem-bit, reliving some random old woman’s wedding euphoria or crying some random old man’s tears as he scattered his wife’s ashes over the side of a boat. I glanced back at the building, as monstrous from the outside as it was from the inside, and watched as the last cabin lights went off. Alone in the station, I wondered if they also felt this ancient longing for happiness? If they also saw how low we had all fallen?The electronic station voice snapped me out of my reverie, “Please step away from the terminal.” I hadn’t been near it in the first place. The sliding doors at the end of the station opened and the incoming tram slowed into place, its door aligning exactly with the opening. “Please enter the tram now.” That’s why I had been waiting in the station. The tram was almost empty with only two other travelers inside; an elderly woman in a body revealing skinsuit and a much more heavily dressed gentleman on the back seat. I sat somewhere in the middle of the car, closer to the woman. The man’s jacket hood was pulled down over the top part of his face, like a gang runner trying to avoid getting his face identified on the omnipresent closed-circuit cameras. It was really nothing to worry about; they worked the trams all night selling everything from illegal mem-bits to pieces of real fruit and meat smuggled from the Chinese plantations. Even in the high privilege sectors, where peacekeepers rode in every tram to keep them away, they still showed up. Bribing their way using the very same wares they peddled.

‘Psst! Bro!’ called the hooded man, ‘I have all ages of girls, young as you want, only 20 for a mem-bit.”

I ignored him. Growing up a girl in Quadrant 7 was a harrowing experience, especially if you were beautiful enough to attract the attention of the gangs. I’d met girls who begged me to rip their memories so they would forget some experiences forever and sometimes I did. Among Q7 girls, I was known as the only one who dealt in painful memories. The hooded man moved closer, sitting just two rows behind me now. He spoke like before, without lifting his head high enough for his face to be identified. He sweetened the deal.

‘What are you into bro? I’ve got bondage and rape; both men and women. I’ve even got a fat woman.”

Fat women were rare, even in the high privilege sectors. Some filthy rich kid must have recorded that for them in exchange for some of the nastier stuff the gangs specialized in. I turned round to look at him.

‘I’m good bro; I’m not really looking to buy anything right now’ I said.

 ‘Not even the real stuff? I’ve got that too. Carla!’

The elderly woman got up, unbuttoning her bodysuit as she did. She was in her late fifties perhaps and the breast that spilled out of the suit was lined with age. She walked to the back slowly, turning as she passed my seat. 

‘She’s not much to look at’ the man said, ’20 for her.’ 

I shook my head again. 

He was desperate now, ‘Okay, how about you have her free if you promise to record it for me.’

I turned round again, speaking more firmly this time, ‘Not tonight bro. Not tonight.’

He lifted his head slightly to get a better look at my face in the dim light. ‘You look familiar, have we met before?’

‘I doubt it’ I replied.

‘Anything else you want? I’ve got dried bird and lizard, and loads of dried rat.’ 

‘No, nothing else’ and then to my relief, he got up and resumed his seat at the back, next to Carla. I’d be glad when I got off the tram at the next stop. From there it was only one more tram to Q7. 

‘Hey’ Carla called softly, speaking for the first time. ‘You’re that guy that buys memories nobody else wants. Aren’t you?’

‘Yes’ I said after a pause.

‘Go to number 975 and ask for Elsie. Tell her Carla sent you.’

‘What has she got?’ I asked.

Carla leaned back in her seat, switching on the electric heating function on her bodysuit. The eerie glow outlined what must have once been a lovely figure, and then she closed her eyes. She was not going to tell me anything more.

‘I thought you looked familiar bro’ said the hooded man. ‘Be careful going to Mol’s, that’s Qillers territory.’

Outside the window, the trams of the robot city flitted past, their dazzling lights belying the dirty secrets they held within.

***

In 2150 at the 7th ZEOS summit, the world voted to adopt a universal classification system for cities. Faced with a crippling shortage of resources after world population hit 15 billion, it became important to keep human habitation from spilling over into land set aside for food production. The cities were divided into sectors with different privilege levels with the lowest privilege areas that had previously been called slums now being universally known as Quadrants. Worldwide, the quadrants were assigned numbers corresponding to their respective sizes. The largest, Quadrant 1, was located in Bombay, India with Q7 in Afropolis being second largest in Africa after Q3 in Lagos. 

A quarter billion people lived here, an area one fifth the size of the city. Neglected by the government, ignored by the city council, and now walled off from the rest of the city by the peacekeepers, Quadrant 7 lived by its own rules. Bordered on three sides by the skyscrapers of residential sectors, the quadrant only got sunlight in the centre. That’s where the gangs operated from, harvesting and selling solar energy at double the council rates. They also dealt in illegal mem-bits, women, water, and unprocessed food smuggled from the Chinese plantations. A fierce turf war had recently ended between two of the gangs and in a place as thick with humanity as Q7, the toll on human life had been great. In an attempt to turn Q7 residents against the rioting gangs, the city council had cut the power and water quotas by half. 

I was approaching the first checkpoint after getting off the tram and I noticed the effects of the extreme rationing immediately. Except for the street lamps, most of the lights were off in the houses. It sounded louder than it usually did from this side of the walls and the smell of humanity wafted all the way to the checkpoint at least 500 metres away.

‘What’s your business?’ the peacekeeper asked brusquely.

‘Visiting family’ I lied.

‘You got anything to declare?’ 

‘No.’ 

The mem-jack was in my inside jacket pocket but it was not illegal itself. Ripping memories was illegal though and attempting to declare it would have been foolish. The gangs came in and out with them all the time though and the guards, had they found it, would have simply demanded a bribe. The guard put my ID into a small tray and passed me a stamped guest pass then buzzed me through. A gate opened on the wall, the entrance leading to a wire tunnel that passed through the no man’s land between the two walls. I glanced to my right where four towers stood facing the slum. Two of them had large parabolic metal discs on them that swiveled slowly left and right over the thronging masses just beyond the wall. Both had RADS printed in bold lettering on their discs, proclaiming their purpose and capability. Raytheon Active Denial Systems; they were pain rays that could easily incapacitate a grown man with millimeter-wave radiation. When switched to full intensity, they could kill. The rays, known fondly in Q7 as ‘meko’ were there to enforce a by-law from the 7th ZEOS summit that required the containment of Quadrant residents to avoid the spread of crime and disease and they weren’t even the strictest measures there. The no man’s land was patrolled by MAARS land drones equipped with xm-25 grenade launchers effectively making it an automated kill zone and the other two towers held large drums loaded with LRAD cones that could burst eardrums from 500 metres away with high intensity sound waves. The plan was to keep them in there until their numbers dropped, however many years it took.

The segregation was taking its toll on Quadrant residents though. Hardly a month went by without news of a quadrant riot in one city or another, each one worse than the last. Even the smaller quadrants were getting in on the action; 20,000 killed in Kigali’s Q201, 100,000 in Switzerland’s Q190. Governments, wary of the simmering quadrant residents, were carrying out more stringent containment measures. Like this impending slaughter in Q7. The inner gate opened to a smaller checkpoint and the guard there took my guest pass and the last gate to Q7 opened before me. 

The area in front of the gates was a bustling market; wares spread out on the pavements and hung on vendors’ necks and jackets. Each vendor shouting in old-tongue, trying to outdo the next one with similar wares. One of the old men had told me the only things that ever changed in the markets of Afropolis were the vendors’ wares; the haggling and noise were from before the old men of his childhood could remember. And so was the crime, you could buy anything from the latest model of ZEOS communicator to a fresh kidney transplant. The poorer residents came to bargain with treasured personal effects including clothes, plumpy nut rations, and water. It was common practice in Q7 to trade in what you did not immediately need for what you needed and reserve what you traded earlier so you could buy it back when you needed it, minus the broker’s commission. In a way, everything belonged to everyone in the quadrant. 

I walked past the rows of vendors keeping my eyes away from the wares. They would take even a single glance as an expression of interest and what would begin as an attempt to convince a customer to buy often turned into daylight robbery as the vendors mobbed you looking to grab something to add to their list of wares. I headed west, towards the quarter that held plot numbers 750-1000; Qiller territory.

***

The building was among the better ones in Q7, a concrete relic of the 21st with twelve floors and about two hundred houses inside. The system was different though; the houses were leased by groups of five to ten people who were the only ones whose places in the house were assured. When night fell, hordes of stragglers wandered the corridors of the houses knocking every door looking for a place to sleep. For between 20sh to 1 EA$, one such house could host up to thirty people each night, sprawled over every inch of the floor in every single room not to mention the ones who upon missing a place entirely, curled up on corridor floors, verandahs, balconies, and in public baths and toilets. A building like this one gave an average of ten thousand people a resting place each night. The full quarter of Q7 residents who would miss a place to sleep every night could be found lying on gang controlled market squares and the free but more hostile and unprotected street pavements.

 ‘Nani?’ asked a voice from the other side of the door. I’d forgotten that unlike city cabins, they had removed the default surveillance cameras outside each door. 

’Ambia Elsie Felix amekuja kumwona’ I replied in old-tongue.

’Hafanyi kazi leo, unataka mwingine?’

‘Hapana, mwambie nimetumwa na Carla’ I said. There was a pause, footsteps receded from the door headed inside and then returned. This time the door opened a crack and a girl, not more than twelve looked at me from within.

‘Are you the one who is buying strange memories, the ones nobody wants to buy?’ she asked in broken English.

‘Yes, do you have something for me?’

‘My name is Elsie, please come in.’

I stepped into the room, looking around for the first girl. It was arranged like a dormitory, a bed occupying every possible space there was. The other girl was lying across one of the beds, unconcerned. The little girl led me to the closest bed and gestured for me to sit.

‘Do you just buy memories?’ she began.

‘Yes’ I replied, ‘What else is there?’

‘What are you calling a memory that hasn’t happened yet?’

She seemed dead serious, ‘You mean you have a memory that hasn’t happened yet?’

‘Yes,’ she replied reaching for a communicator from the pocket of her dress. She removed the attached flash disk from it and handed it to me.

‘Four weeks ago I lived with Carla in 847 not far from here. One day I was sick, I needed much water. Carla wasn’t making big money selling herself because she’s really becoming old now so she borrowed from the Qillers. She said she would pay but she couldn’t. Then I had a memory of Carla riding the trams all night because she had to, or they would come and take me away. She said it wouldn’t happen, but it did. I told her on the train she should look for a man who buys strange memories because I needed to give him this new memory. She still did not believe me; she said she will never meet such a man because it is not possible to see memories before they happen. I’m happy she believes me now.’ She paused to catch her breath. ‘You must be paying me for it even though I can not tell you what is in it. How much will you give me sir?’

‘How much does Carla need to stop riding the trams at night?’ I asked.

‘She has 500 left after tonight’ the girl replied.

I took out my communicator and transferred 700 EA$, everything I had at the time to hers. She stood there looking at it and then slowly, a tear rolled down her cheek. She flew into my arms, holding me tight. ‘Thank you sir, you’re the greatest! If you want Elsie I can ask Mary to leave the room…’

I pushed her away gently, ‘No Elsie, all I buy are memories. And thank you for such a special one.’

She was crying now, heavy sobs that wracked her little body, ‘You save Carla from the trams; you’re the greatest person I ever meet. I come and live with you in city, if you want Elsie, you can have!’ I looked at Mary in alarm and finally she thought to help, coming over to hold Elsie as she cried. I left the room hurriedly only stopping when I got to the door.

‘Hey Elsie!’ I said. I waited a few moments for her to stop crying and look up. ‘I just remembered what they are called; these memories that have not happened yet.’ She was alert now, wiping the tears from her face.

‘What are they called sir?’

‘They are called dreams, and they were pretty common in the 21st century. Though back then, not all of them came to pass like yours do.’

‘Oh, not all mine pass as well, like the one I gave you. Carla said it is too crazy to pass, we can not leave the quadrant anyway. But if you like it please return, I have many crazy memory dreams.’

 

Now, where do I start?

 

First, direct speech.

 

There is always a comma before you close the speech, for quoted speech that does not end with a question mark or the usually very unnecessary exclamation mark.

 

If the direct speech ends with a question mark, there is no need to write ‘he asked’. The question mark is a clear indicator of the asking. If you must, write ‘he said’ because in asking ‘he’ is actually ‘saying’.

 

Back to the comma, you were not consistent, some direct speech had it, some did not.

 

 

 

‘Hey’ Carla called softly, speaking for the first time. ‘You’re that guy that buys memories nobody else wants. Aren’t you?’‘Yes’ I said after a pause.

 

 

 

and

 

 

 

‘Go to number 975 and ask for Elsie. Tell her Carla sent you.’‘What has she got?’ I asked.

 

She seemed dead serious, ‘You mean you have a memory that hasn’t happened yet?’‘Yes,’ she replied reaching for a communicator from the pocket of her dress. She removed the attached flash disk from it and handed it to me.

 

Apart from that, this story is remarkable. It was easy to read because there were very few glaring grammatical errors.

 

Your ability to carry this story and the ideas in it is admirable. I would like to know how long it took you to write this. Were there any revisions?

 

Science fiction is a remarkable genre and I am yet to see a Kenyan writer face off with it and come out on top.

 

I honestly believe this story is a prophecy.

 

We are slowly moving into a world that will take everything we have for granted. That flippancy will eventually lead us to some place exactly like Afropolis.

 

I suggest you print this on some good quality paper and put it in a time capsule. This is the contraband prophecy that people will be smuggling in 2150. The guys at the ZEOS summit will not want anyone to ever set eyes on it.

 

In that line of thinking, have you read the conspiracy theories behind the Holy Grail…not in the Dan Brown way though?

 

Tchuβ

 

Are Kambas this gross and happy with it?

A young man named Joe Shady (I think this is a very shady alias, Joe Shady. Use the name your papa gave you.) sent me this story. I underlined a number of things.

A RIDE TO OCHA

The matatu am in is slouching at an unbelievably slow pace. Several bicycles have overtaken us already and they are no longer in view which means they are well ahead of us. This must be the slowest vehicle on a Kenyan road. To go at a slower pace than a bicycle is a pure insult to Henry Ford or whichever blighter invented motor engines. I can’t blame the matatu though. It’s carrying a load heavier than itself by about four times. Gives a whole new meaning to ‘packed to capacity’.

People are jammed everywhere, each seat is occupied and so is the space between the seats. The conductor, bless his entrepreneural mind, has wedged these wooden bars between the seats where two people are squeezing themselves. There are also people standing. Not exactly standing but crouching, bending and contorting their bodies in any other position that won’t take up much space since there isn’t plenty of that at the moment.

Humans aren’t the only weighing the matatu down. There are goats, sheep, chicken and there’s charcoal. Bags upon bags of charcoal. Some are in the boot, some being held by the passengers but the bulk is on the rack on top of the vehicle. The bags have been piled so high it looks like a double decker bus. Looking upon it sends shivers down the spines of us who know about center of gravity and the danger it poses if taken too high.

It doesn’t help either that the road by itself is a catastrophe. It full of these huge terrifying gulleys and ridges and deep potholes it’s best to close your eyes instead of looking outside for you might have a sudden flash of the bus descending into one of those monstrous gulleys and going straight to hell, final destination style.

The funny thing is that no one seems to find the discomfort even remotely disturbing. I haven’t heard a single complaint since the journey began. It beats me coz if I was to write a letter of complaint to this Bus Company, it would be more of an encyclopedia, complete with illustrations and footnotes.

The people are chatting away happily, laughing loudly whenever they hit the roof as a result of the numerous bumps. From their looks of glee and joviality, you’d think they were flying First Class on Air France or Fly Emirates.

The only outstanding thing about the bus is the music system. There are booming speakers in almost every seat and underneath the static, kamba tunes have been playing relentlessly much to the delight of the passengers. There’s this song, ‘Fundamendoos’ I think that has played over ten times and judging by the appreciative roars whenever it’s replayed, it’s probably going to be replayed another ten times most probably. The funny thing about this song is that it’s six minutes plus and it only consists of four bars translated in three languages. The actually singing comes to an end in about the second minute. The rest is just name calling, shout outs and stuff.  You’ve got to love kamba musicians. They write a song of anything and proceed to make it a hit.

Am standing next to where an old mama is seated. She looks about eighty I’d say. But that’s not to say she’s frail. Her vitality is something else. She has been tapping her feet and nodding her head to the rhythm ever since the songs began. At one time a tune came up she whooped loudly and shook her beggars while singing loudly to it as the other passengers cheered her on. To the right of me is a middle aged, very thin dude. He has a bloody lip, swollen eye and numerous bruises on his face and has been sniffing snuff ever since he got on. At times, he’ll arch back and laugh loudly and I’ll turn around quickly thinking that he has spotted the pink boxers I got from my mom but I find that he’s laughing alone (Work on the tenses. A story like this one should have one tense from the beginning to the end). Dude must be happy. Well, he must be lucky coz I’m not. Leave alone the immense discomfort of the car, there’s other things to deal with. The stench for starters.

The car reeks of death. I’m serious. As a prank, my friends once threw me into a compost pit, believe me fellas, the place smelled like sweet violets compared to this matatu. There’s a cacophony of very loud scents in here, none good or even remotely pleasing. You’ve heard of the expression, “Nuka kama beberu” right?  Well, it’s no joke. He-goats really do stink! And they aren’t the only one, there’s chicken, chicken shit, sweat of people’s bodies, people’s breathes, sheep scent, packages of feedstuffs, the smell of fuel leaking form the matatu, smell of decaying, peeling seats and it goes on and on and on.

If I don’t get nose cancer here then I don’t think I will. The assault on my sense of smell is to tumultuous and I resolve to make sure I get a strong cold when I gain enough courage to wander into these wastelands again.

The bloodied dude next to me breaks into a laugh again and I turn around sharply startled by the sudden sound so close to me. Wrong move. My nose lands right into the path taken by his death ray breath and I almost throw up. Luckily I had nothing for breakfast so all I do is retch but no vomit which am very thankful for if I became sick in this cramped place, I would end up dirtying a lot of people and I don’t reckon they would laugh it off like they are doing with the bumps.

The conductor is now picking fares and I wonder how he manages to weave himself among the many people. He’s doing it with such dexterity you have to acknowledge he’s a professional. People are removing the cash from the strangest of places. The guy beside fishes a hand into his boxers and takes out a wallet. I’m inclined to laugh. Maximum security indeed.

When the conductor reaches the aged lady, she fishes her hand into her bosom and begins prowling around. The conductor waits patiently as she continues with her boob probing which lasts about five minutes yielding no results. She then proceeds to take out her breast and I turn away at this though not before catching sight of the sagging breast which resembles my old gym socks. She then removes the other, oblivious to the fact that all eyes are on her. Apparently, she can’t find what she’s looking for and the conductor orders a search for a red purse.

I’m highly amused at this. The people seem fully convinced that the purse fell somewhere. I, on the contrary, know that the odds of the purse being on the floor are one million to one. If that purse got displaced then it just shifted its position from grandma’s bosom to someone’s pocket.

Not wanting to seem rude, however, I also bend down like the rest and begin peering down the seats, laughing at my seemingly fruitless and pointless efforts. If people want to find this wallet then they should order a strip search. That’s more likely to bear fruit than under seat peering.

As I think this, however, I get a glimpse of red protruding from a corner somewhere. I reach out and behold, the Lost Purse!

“Found it!” I announce to the search party and the on lookers. Grandma grabs my hand and shakes it thoroughly, thanking me profusely in rapid kamba. She then cups my face and speaks words of blessing upon me. Ok, this is embarrassing. I’m regretting why I found the purse. The other people are looking at me with envy written all over their faces, like they would do anything to be in my position and I hope they can see in my eyes that the feeling is mutual. I would also do anything to be in their position.

SPLUT!!! Holy smokes! She spits in my face; a heavy load of sputum that lands in my left eye. Damn! I have heard of this but never dreamed it would happen to me. It’s the kamba way of blessing. The worst thing is that I can’t wipe it off. That’s equal to sacrilege. She arches back and draws another long puff. I can almost see the ball of sputum rolling up, gaining momentum, ready to hit the target. She leans back and knowing that it’s T minus one to face painting, I close my eye as the missile emanates from her mouth.

SPLUT!!! Once again, my face is plastered with mucus. This time it hits me in the nose and starts trickling down slowly, viscous as ever, heading for my lips. Lord have mercy! I bite my lips so that it trickles down my closed mouth to my just growing beard where it sticks.

Suddenly, I have become a celebrity. Everyone now wants to shake my hand and hug me. They are calling me the blessed one and all want to engage me in conversation. After it is discovered that I’m from the city, a huge fan base soon forms around me and begins bombarding me with questions. Absurd questions about the city.

I’ll form new friends on this bus ride. I’ll laugh with them and slap their backs. I’ll secretely and fruitlessly try to wipe off the slime off my face. I’ll do all those things but the most important thing I’ll be doing is praying to the God of Abraham, Isaac and Jacob that this dilapidated chameleone of a vehicle reach it’s destination first. It’s imperative I get off this hellish nightmare and go somewhere quiet where I’ll roll one and bury the sweet memories of a ride to ocha in rings of smoke.

I liked the story a little. There are so many disgusting things about and in it that need to be explored.

The most annoying thing about it is it came in an email that did not have a subject, and I had to review it today because Shady has to go to school tomorrow.

The following are the other annoying things about this story:-

  • The matatu am in is slouching at an unbelievably slow pace.

Am is a verb (to be). It cannot stand on its own. It needs help.

You should not say The matatu am in but The matatu I am in.

The matatu is in does not make sense. The matatu she/he is in makes sense.

The matatu are in  is wrong. The matatu they are in is right.

Shady, I also need to understand how a matatu is slouching at an unbelievably slow pace. Find out the meaning of the word slouching and whether it applies in this context.

Speaking of things that do not make sense, how does this work?

The people are chatting away happily, laughing loudly whenever they hit the roof as a result of the numerous bumps

Find a way to include the driver. Because bumps alone cannot make any passenger hit the roof. Someone must drive a car carelessly over the damn bumps.

or

The conductor, bless his entrepreneural mind, has wedged these wooden bars between the seats where two people are squeezing themselves.

Please do not write in the manner you speak in the hood.

This phrase means that there were too people, each squeezing himself or herself. Worse still it seems the bars were between the seats on which the two, who were squeezing themselves, were seated. Which means they were on the seats. I think you intended that they be squeezed on the wooden bars.

  • This young man sent two copies of this story. When he sent the second one, he said he had fixed the typos that were in the initial copy. I therefore assumed that I would have quite an easy time reading it. Unfortunately there were spelling mistakes.

entrepreneura

secretely

chameleone 

I suspect Shady learned how to spell ‘chameleone’ from the cover of some Ugandan’s album. Please read books if you want to be a writer.

Other typos:-

Humans aren’t the only weighing the matatu down.

It full of these huge terrifying gulleys and ridges and deep potholes…

  • Only proper nouns should begin with capital letters.

kamba is a proper noun, so it should be Kamba.

final destination is the name of a movie, it should be Final Destination

First Class is not a proper noun. Neither is Lost Purse.

  • Shameless use of slang!

Words like dude, coz, old mama, cash do not cut it with me. Absolutely not.

  • Please use it is as opposed to it’s.

The general rule is to use the contraction of ‘it is’ only in direct speech.

  • Size, colour, noun…in that order.

Shady, your adjective order is wrong.

To the right of me  is a middle aged, very thin dude.

Your adjectives are ‘technically’ in this order: Colour, size noun.

It should be, ‘To my right is a very thin, middle-aged man.’

  • Research is important.

If I don’t get nose cancer here then I don’t think I will.

Find out if the cancer is actually called nose cancer and what really causes it.  I do not think bad smells do. If so, we would all have nose/nasal/sinus cancers. I know you are trying to be clever and humorous but some things are not to be joked about.

  • This is the winner.

And they aren’t the only one, there’s chicken, chicken shit, sweat of people’s bodies, people’s breathes, sheep scent, packages of feedstuffs,

Is there anything other than humans, especially on that bus, that can sweat?

Find out the difference between breath and breathe.

Be careful about how you use smell and scent.

What on earth are feedstuffs?  Foodstuffs, maybe?

  • Exclamation marks and capital letters means you are compensating for something that you lack.

SPLUT!!! 

If you must use a exclamation mark, use one. However, if you are a good writer your readers should be positively astonished by the spit without you exclaiming it to them like they are idiots who need a placard to tell them that at that juncture they need to be shocked and disgusted.

Same thing with the capital letters/uppercase…you do not have to shout. Let the thing speak for itself.

Anyone who has any useful advice for Shady is more than welcome to post it on the comments section.

Tchuβ

Yeezus, tis a bitch!

People are nasty.

And Nancy, who left this comment on my About page, seems to have some unresolved issues with my small penis.

Nasty little bitch. Sarcasm usurper.

Hello, my name is Ed.I have zero creativity and negligible self esteem hence derive pleasure from demoralizing talented writers.I am that cunt who hides behind a laptop and fervently searches for a forgotten apostrophe on an otherwise flawless article.I use arrogance and malice to make up for my small penis.(I am also a wanker but that’s beside the point)
I will stalk your blogs and spew all sorts of garbage about it because, you see, I have no life whatsoever!
I will embarrass you because I thrive on it.Putting you down is the only thing that prevents me from slitting my wrists.

Nancy, leave my penis out of my grammar. And I do not have a laptop.

It is a new year and thanks to The Hater of Wankers’ comment, I now know that I have been doing a great service to ‘aspiring’ writers.

I am back. This time I will try to focus more on the blog than on my alcohol.

Some of you have sent links to your blogs and samples of your work for review. I admire your bravery. Your wishes are my weekly commands.

Nancy, if you need to discuss my insecurities through something other than my penis, please send me an email, obsessiveed@gmail.com.

Here’s to a better year.

Tchuβ